American Antiquarian Society
185 Salisbury Street
Worcester, MA 01609
United States
Scattered in archives and historical societies across the United States are hundreds of volumes of manuscript music, copied by hand by eighteenth-century amateurs. Often overlooked, amateur music making played a key role in the construction of gender, class, race, and nation in the post-revolution years of the United States. These early Americans, seeking ways to present themselves as genteel, erudite, and pious, saw copying music by hand and performing it in intimate social groups as a way to make themselves--and their new nation-appear culturally sophisticated.
Following a select group of amateur musicians, Cultivated by Hand: Amateur Musicians in the Early American Republic makes the case that amateur music making was both consequential to American culture of the eighteenth century and aligned with other forms of self-fashioning. This interdisciplinary study explores the social and material practices of amateur music making, analyzing the materiality of manuscripts, tracing the lives of individual musicians, and uncovering their musical tastes and sensibilities. Author Glenda Goodman explores highly personal yet often denigrated experiences of musically "accomplished" female amateurs in particular, who grappled with finding a meaningful place in their lives for music. Revealing the presence of these unacknowledged subjects in music history, Cultivated by Hand reclaims the importance of such work and presents a class of musicians whose labors should be taken into account.
Glenda Goodman is an Assistant Professor of Music at the University of Pennsylvania. She works on the history of early American music. Her first book, Cultivated by Hand: Amateur Musicians in the Early American Republic (Oxford University Press, 2020) is a material and social history of amateurism. She is currently working on a book on sacred music and colonial encounter in eighteenth-century New England. Her articles have appeared in several musicology and history journals, and she is also working on a collaborative project, American Contact: Intercultural Encounter and the History of the Book, which will result in a volume and digital project. Before moving into academia, Glenda Goodman was a violist who performed classical and experimental music.