2025 |
Robbie Wilson |
Sturbridge, MA |
Composer |
Research for a narrative song cycle or chamber opera using the letters of black and white Civil War soldiers |
|
2025 |
Stacia Pelletier |
Dahlonega, GA |
Author |
Research about Jemima Wilkinson, also known as the Public Universal Friend, for a novel |
|
2024 |
Tina Spangler |
Narrowsburg, NY |
Documentary Filmmaker |
Research for her historical film about the life, work, and massive influence of artist Frances Flora “Fanny” Palmer (1812-1876) |
|
2024 |
Alison Clarke |
Edmonton, AB |
Poet |
Research on Harriet E. Wilson for a historical fiction trilogy |
|
2023 |
D. Lance Marsh |
Oklahoma City, OK |
Playwright |
Research for “Macbeth/Forrest/Macbeth” a radical reworking of the text of Shakespeare’s Macbeth as seen through the lens of the Astor Place Riots |
|
2023 |
Danielle Legros Georges |
Boston, MA |
Poet |
Research for “Acts of Resistance to New England Slavery by Africans Themselves in New England,” a series of poems about Black self-determinism and articulations of freedom within and against the context of Northern slavery |
|
2022 |
Darryl Lauster |
Arlington, TX |
Sculptor |
Research for a series of bronze sculptures that will visually identify with scrolls and parchment manuscripts |
|
2022 |
Shirley Hunt |
Boston, MA |
Musician |
Research for concert/lecture which focuses on early 19th-century lutherie in New England |
|
2020 |
Melanie Cataldo |
Worcester, MA |
Illustrator |
The Making: An illustrated novel that focuses on the struggle of two young girls living by 19th century standards in mid 20th century New England |
|
2020 |
Michael Schlitt |
Los Angeles, CA |
Storyteller |
The Pursuit of Happiness podcast: a multi-episode audio series about Americans' quest for an elusive, aspirational ideal of happiness |
|
2019 |
David Mills |
Long Island City, NY |
Poet |
After Mistic: A poetry manuscript that focuses on slavery in Massachusetts and New York |
|
2019 |
Brece Honeycutt |
Sheffield, MA |
Mixed Media Artist |
A series of artworks that demonstrate at their core a respect for the natural world in ages past |
|
2018 |
Brian Mullin |
London, U.K. |
Playwright |
Play inspired by the community of freed African-American slaves who lived freely in an abandoned British garrison in the West Florida territory following the end of the War of 1812 |
|
2018 |
Lisa Bielawa |
New York, NY |
Composer, Producer, Performer |
Sanctuary & Centuries in the Hours: A series of small works for the violin and voice, focusing on immigration |
|
2017 |
Shana Youngdahl |
Farmington, ME |
Poet and Author |
Research for poems about women in the early New England tin ware industry |
|
2017 |
Arielle Ballard |
Brockton, MA |
Poet |
Research on interactions between black and indigenous people for a full-length book of poetry |
|
2016 |
Denise Miller |
Texas Township, MI |
Creative Writer |
Travelogos: African Americans and the Struggle for Safe Passage |
|
2016 |
Susan Stinson |
Northampton, MA |
Novelist |
Research for a novel about Elizabeth Tuttle Edwards |
|
2015 |
Stephanie Carpenter |
Hancock, MI |
Fiction Writer |
Many and Wide Separations: Two novellas that focus on fictional female artists in mid-nineteenth-century New England |
|
2015 |
Erin Lyons |
Washington, DC |
Fiction Writer |
Historical novel about Anne Hutchinson and the Massachusetts Bay Colony, from 1630-1638, told from the point of view of a servant girl |
|
2014 |
Carolyn Kras |
Los Angeles, CA |
Writer, Screen (TV, Theater, Stage) |
Research for a TV pilot script to take place in 1871 after the Great Chicago Fire |
|
2014 |
Sarah Stern |
Red Hook, NY |
Playwright |
Research for play tentatively called "The Spectator," which deals with the intersection of politics and theatre in New York City during the 1730s |
|
2013 |
Aimee Parkison |
Stillwater, OK |
Fiction Writer |
Sister Seance: A historical literary novel set in Concord, MA in the 19th century, that explores the hidden sexual implications in parlor games and holiday courtship rituals of Victorian Americans |
|
2013 |
Amina Gautier |
Chicago, IL |
Fiction Writer |
Band of Gideon |
|
2012 |
Anne Harley |
Claremont, CA |
Musician, Soprano |
True Witness: A multi-choral civil rights cantata inspired by the texts of Charlotte Forten |
|
2012 |
Ansel Elkins |
Greensboro, NC |
Poet |
A collection of poems about the lives of 19th-century conjoined twins Chang and Eng Bunker and Millie-Christine McKoy |
|
2011 |
Kelle Groom |
New Smyrna Beach, FL |
Poet |
Memoir about Thomas Greenough, the last surviving Wampanoag Indian on the Bass River reservation in South Yarmouth, MA |
|
2011 |
Brian Teare |
Charlottesville, VA |
Poet |
Inter-disciplinary project including poetry and photographs, with focus on spirit photography and spiritualism |
|
2010 |
Sean Hill |
Bemidji, MN |
Poet |
Dangerous Goods: A series of poems about two African American men who immigrated with their families from Milledgeville, GA to Liberia in the 1870s |
|
2010 |
Kathryn Nuernberger |
Minneapolis–St. Paul, MN |
Poet |
A collection of poems that merges poetic and academic impulses through special attention to performance art from the 19th century as well as games, plays, and librettos |
|
2009 |
Robert Strong |
Maine |
Poet |
Bright Advent: A work of poetry set in the years leading to King Philip's War |
|
2009 |
Ann Lovett |
New Paltz, NY |
Photographer |
Artist book about the textile mills of Lowell and other Massachusetts mill towns and the "mill girls" who worked in them |
|
2008 |
Sandra Jackson-Opoku |
Chicago, IL |
Novelist |
God's Gift to the Natives: A novel that explores one musician's enigmatic life and tragic death, while also charting the history and movement of the African diaspora |
|
2008 |
Celeste Roberge |
South Portland, ME |
Sculptor |
Granite Sofa (sculpture) |
|
2007 |
Kimberly Elkins |
New York, NY |
Fiction Writer |
What is Visible: A novel about the lives of Laura Bridgman and Julia Ward Howe |
|
2007 |
Laurie Block |
Conway, MA |
Filmmaker |
Documentary about Helen Keller |
|
2006 |
Kriota Willberg |
New York, NY |
Choreographer and Cartoonist |
Updated version for a performance of the 1866 Broadway production of 'The Black Crook' |
|
2005 |
Camille T. Dungy |
Colorado State University |
Poet |
Suck on the Marrow |
|
2005 |
Nancy Rubin Stuart |
New York, NY |
Writer |
The Muse of the Revolution; The Secret Pen of Mercy Otis Warren and the Founding of a Nation |
|
2004 |
Alyson Pou |
New York, NY |
Performance Artist |
A Slight Headache (solo performance) |
|
2004 |
Martha Morss |
Mount Vernon, OH |
Writer |
Mary Katherine Goddard, colonial printer |
|
2003 |
Lavonne Mueller |
Chicago, IL |
Playwright |
A collection of short one-story plays about six notable American women, Abigail Adams, Dolly Madison, Sacagawea, Lucy Stone, Harriet Tubman, and Martha Washington |
|
2003 |
Ruth Lopez |
Chicago, IL |
Writer |
Research in the McLoughlin Brothers archive toward a social history on the artists who helped create children's literature in America |
|
2002 |
Ellen Wiener |
Princeton, NJ |
Painter, Printmaker, Book Artist |
A new 'Book of Hours' using imagery from nineteenth century sources |
|
2002 |
Deborah Dancy |
Storrs, CT |
Painter |
The Conjurer's Apprentice or The Legend of Yellow Mary: A Slave Girl's Tale of Survival by her Wit and Extraordinary Powers, as written by herself |
|
2001 |
Geoffrey Brock |
Fayetteville, AK |
Poet |
Voices Bright Flags: Poems based on American historical events |
|
2001 |
Hallie Hobson |
New York, NY |
Playwright |
Watchnight: A play on the eve of Emancipation |
|
2000 |
Maureen Cummins |
Bearsville, NY |
Book Artist |
Anthro(A)pology |
|
2000 |
Katrina Browne |
Berkeley, CA |
Filmmaker |
Traces of the Trade: Research on the history and legacy of the slave trade in New England |
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