American Literature

2023 marks the 250th publication anniversary of Phillis Wheatley Peters’ Poems on Various Subjects, Religious and Moral. Throughout this anniversary year, The Genius of Phillis Wheatley Peters: A Poet and Her Legacies, a project directed by the University of Georgia and Texas Christian University, honors the occasion as a milestone in both literary and historical terms generating countless cultural legacies.

What would Willa Cather's widely read and cherished novels have looked like if she had never met magazine editor and copywriter Edith Lewis? In this groundbreaking book on Cather's relationship with her life partner, author Melissa J. Homestead counters the established portrayal of Cather as a solitary genius and reassesses the role that Lewis, who has so far been rendered largely invisible by scholars, played in shaping Cather's work.

In To Make Negro Literature Elizabeth McHenry traces African American authorship in the decade following the 1896 legalization of segregation. She shifts critical focus from the published texts of acclaimed writers to unfamiliar practitioners whose works reflect the unsettledness of African American letters in this period. Analyzing literary projects that were unpublished, unsuccessful, or only partially achieved, McHenry recovers a hidden genealogy of Black literature as having emerged tentatively, laboriously, and unevenly.

The year 1845 saw the publication of two key texts in the African American literary tradition: Frederick Douglass’s Narrative of the Life of Frederick Douglass, American Slave, Written by Himself and a collection of francophone poetry published in New Orleans by a group of free men of color and titled Les Cenelles: Choix des poésies indigènes.

In her newest book of poetry, The Age of Phillis, Honorée Fanonne Jeffers uses creative strategies based upon fifteen years of archival research to shift emphasis away from the usual historical narratives on Phillis Wheatley Peters. Scholars of Wheatley Peters have usually focused on her life following her enslavement as a small child, beginning her biography with her 1761 arrival in Boston Harbor.

Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition.

For hundreds of years, American artisanship and American authorship were entangled practices rather than distinct disciplines. Books, like other objects, were multisensory items all North American communities and cultures, including Native and settler colonial ones, regularly made and used. All cultures and communities narrated and documented their histories and imaginations through a variety of media. All created objects for domestic, sacred, curative, and collective purposes.

During the antebellum period, British publishers increasingly brought out their own authorized and unauthorized editions of American literary works as the popularity of print exploded and literacy rates grew. American fiction, poetry, essays, and autobiographies appeared in a wide variety of material forms and print genres, from prestigious three-volume novels, to illustrated Christmas books, and weekly periodicals.